A few weeks ago, friends and I attended a literary evening. As usual, the evening not only included recital of poetry, but also appropriate chamber music. This evening was a German one and its theme Dada.
It was an astonishing performance. An hour of texts and music which influenced Bob Dylan, as well as his own lyrics and versions. The words, meanings, messages mainly written during the 1950s and 1960s were eye-openers. Last chance to attend: 28th of March 2017 – in Amsterdam.
The small theatre was totally sold out: all places taken. Then a group showed up. No reservation is no ticket is no seat – but they’d either barged or been allowed in. The group sat down anyway, managing to block access to the stage and hampering the performance later on.
The last literary salon of 2015 did not attract the usual crowd. Three people were moaning about it and commenting on the differences between the cultural scenes of several major cities. I listened to their moans and criticism, while idly sitting in the theatre’s corridor waiting for the doors to open.
“Since Maggie went away” is written by writer-journalist Jacqueline Nolan. The play is based on personal experiences and recently uncovered family history. Being familiar with press reports on its topic and having recently read “The Baby Thief”(see “Thief”), I attended an impressive performance.